Rob Dennler

Secret Weapon Mastering, USA

“I'm really enjoying both the EQ-6S and the HVA-NEQ. They've both been amazing additions to my mastering desk, not only sonically, but from a workflow perspective as well. In use, the results have been fantastic. I love how responsive the units are, in an impactful way yet non-intrusive way. There's no guesswork. You turn a knob, and you hear a change. They have an openness and a presence that gives life to whatever you run through them. Simply put, they make things sound better. Thank you for making such high-caliber equipment, and for the obvious care you put into not only your products, but your customer relationships as well. It really means a lot!”

Nick Bolton

Bolton Sound, USA

“It sounds amazing, thanks so much! This EQ-6S kinda forced me to rewire the studio. And now the MDS-2 is at the very end where it sounds so much better and is much more useful. The EQ-6S air band into the MDS-2 is an absolutely amazing combination.”

Jeremy Costa

Backward Clock Sound, Canada

“This EQ is beautiful and has an amazing character. It's very hard to describe because it's so transparent yet adds a kind of quality that I can't quite put into words. I find it particularly effective at shaping the soundstage with small cuts and complimentary boosts. It creates a very immersive "3D" feeling that is quite remarkable and "expensive" sounding.”

Camilo Silva F

Camilo Silva F Mastering, Colombia

“Loving this compact but very powerful and quick EQ. Love the stereo action instead of having to adjust two channels (hence real quick) and it's a nice and a very welcome "broad strokes" compliment to both the Buzz REQ2.2MEA and the Clariphonic MS. It is quiet, very indeed. Definitely mastering grade in such regard, and for the price is unbeatable!”

Joe Carra

Crystal Mastering, Australia

“In point of difference to my more surgical and precision style EQs, the HVA unit was a simpler beast. Simple as it may be, I found it extremely useful to have an EQ that in essence, was a wide band, tone control device. I often had to create this kind of curve with other eqs, sacrificing several bands to fulfil this task. This has seen it in use almost daily. Adding some weight to a thin mix or air to a track feels effortless. The noise floor of the unit is extremely impressive, which is critical for high resolution audio. The HVA lads have come up with a winner.”

Ben Feggans

Studios 301, Australia

“I've used this EQ on many records this year, it's often a shoot out between the top end of my Sontec or the EQ-6S. Sub bass is really clean and powerful as well. You simply can't go wrong for the money!”

Justin Perkins

Mystery Room Mastering, USA

“I bought the EQ-6S to replace a very similar EQ in my mastering desk that I wasn’t totally happy with. The EQ-6S corrected those problems and also sounds great! I really value being able to control the left and right channels with just one knob, and the noise floor on this EQ is incredibly low. The improved ergonomics and excellent sound quality make it so much easier to use than my previous EQ that costs about twice as much. This is definitely a mastering grade EQ. I tend to avoid smaller boutique audio companies and just stick to the classics, but I wish I had known about the EQ-6S sooner. This EQ will remain in my desk for many years to come.”

Noah Mintz

Lacquer Channel Mastering, Canada

“Super subtle. Clean. A great compliment to the SPL. I love it so far. And again... that amazing price.”

Nicholas Di Lorenzo

Panorama Mastering, Australia

“After having it for two days here is the standout feature. The high shelf, the high shelf!!!! I have NEVER heard a high shelf like this ever. It's so silky smooth. Makes the dullest of mixes come to life so naturally.”

Million Masters, Australia

Karna K Ksv

“It's well-built and sounds clean, compliments things like the Klontz and Massive Passive very well. It's like the Nightpro and Maag but cleaner, minimal controls gives quick and musical results, and it's fun to use. Great for quickly balancing any mix. For already good mixes, this and a limiter is all you'll need to Master.”

Benjamin Morris

SAE Institute, Australia

“The Presence Filter on the EQ-6S is magic. The 20kHz curve is perfect for the material I am mixing through it (mainly television shows). I was able to add a tonne of silky smooth treble to my mix without the dialogue getting too sharp or sibilant. I sometimes had to stop myself from adding too much, because it was sounding so good.”